The End of An Empire: The Rise & Fall of The G-Unit Reign

Can It Be That It Was All So Simple Then…



All good things come to an end. G-Unit’s run of being rap’s most influential crew is over.

Let’s make it clear though. This NOT about 50 Cent’s personal career. This is about G-Unit the rap group; G-Unit the brand name.

But before they fell off, hate it or love it, G-Unit revolutionized the game.

“G-Unit nigga/that’s what’s up.” That was our first introduction to Lloyd Banks, Tony Yayo, and 50 Cent as “G-Unit” on 50’s mixtape “Guess Who’s Back.”

The key: it came on a mixtape, not hosted by a DJ.

50 Cent and his G-Unit crew were the first to successfully pull off their own mixtapes as a way of providing new music & generating new fans. They took the idea to another level by introducing the idea of recreating popular songs: keep the beat, change the words, create a melody.

Artist had been freestyling over hot beats forever; but they weren’t remaking the songs. When 50 & his crew began to do this on their mixtapes they provided themselves with a crucial advantage: they made radio-friendly music, but maintained a street presence. That is the combination every A&R, music executive, manager, or artist in the business craves for. G-Unit mastered this.

In fact they had all the componant’s needed to be a dominant rap crew. The slick rhyming MC with crazy punchlines (Banks). The goon who provided “street cred” (Yayo was in jail when “Beg For Mercy” dropped). And the leader who had a superior business IQ, knew how to make records, and straight-up personified the “Hustler’s Ambition.” They had their catch phase that everybody knew (G-G-G-G-G-G-G-Unit). And best of all, they were from New York. We all know how much the industry loves to promote New York cats, and we know how much New York loves to hype New York cats.

With this foundation, G-Unit attempted to create an empire that would run the rap world & stand out in the hip-hop scene. This required regional expansion, and cross-over appeal.

Thus 50 scooped up a former Cash Money soldier in Young Buck to cover the South; he added Game, a Dre-protege straight from Compton. They brought on Oliva, the team’s R&B and female presence. They teamed with Marc Ecko for a G-Unit clothing line. They did collabos with R&B acts like Mary J. Blige & Avent, and Pop superstars like Justin Timberlake for commercial appeal.

Then in 2006 came the real power moves. Remember this cover:



It felt like the day G-Unit took over the world. It was a major movw. Not because the signings were Hip-Hop superstars, but it was like the top team in the league signing the best free agents in the game. They signed a legendary duo (Mobb Deep), one of NY’s most underrated groups (M.O.P.), brought Harlem back from church (Mase), and even got another West Coast cat (Spider Loc). It was G-Unit’s exercise in “strength in numbers.” These were the soldiers to aid the G-Unit takeover.

But it never happened. In fact, it failed miserably.

Even before this move, there was the Game/50 beef and fallout. And over time, most of these acts disappeared one by one (with the exception of Mobb Deep). Without making an impact once so ever. No albums, no singles, no nothing.

The team’s mainstays even felt the pressure. Banks dropped a brick with his sophomore album; Yayo hasn’t put out any albums since his first, but has got the group plenty of bad press with “alleged” incident with a 14 year old. The ugly situation with Young Buck put more of the group’s business out in the street and ended with Buck exiting the group.

And then, there was three.



And they could only push 102, 000 in their 1st week.

They couldn’t sell more in their 1st week then Weezy sold in his 4th week.

The irony is that 50 built the G-Unit brand based on his idea that they produced numbers. He pointed to hit singles, radio spins, albums sold, anything that could be counted.

Men lie, women lie, numbers don’t.

The lack of a hit single, the poor album sales, and the overall lack of buzz about the album all point to common theme with G-Unit over the last year: people don’t really care.

At least, they don’t care about G-Unit the brand, G-Unit the Hip-Hop crew.

Michael Partis

First off, they shouldn't have fucked with Jada Or Crack. Second and the most important one, should never have kicked out Game. Dude destroyed them.

theremedy408 wrote:First off, they shouldn't have fucked with Jada Or Crack. Second and the most important one, should never have kicked out Game. Dude destroyed them.

agree'd

I'm tryna look for where I found it but I had read Buck, Game &.... Olivia! are supposed to do a mixtape or a track or something haha. I already know Buck n Game are droppin a mixtape together.

yea but we'll be waitin on that buck & game tha same way we're waitin on that game & wayne shit.......
i'll believe it when i hear/see it.

Yeah i've been waiting for Blood Brothers for a year now. Lol but just for Hurricane Game not Lil Plain

i dont want to read it

BATISTA. wrote:i dont want to read it

u like the unit? I like em too...
theyre album dissapointed me however.

50 need to leave niggas alone and quit startin shyt wit other rappers.....then maybe g-unit could of had a chance at somethin. banks and yayo need to quit bein followers for a change.....

Remember Beg for mercy days? lol that "wanna get to know you" hit.. and questions to who the hell was that dude rockin the g-unit chain (game lol) wonder wus next for g-unit... honestly i dnt see how bucks gonna get buzz now.. jumpin wit game? rofl

g-unit just fell tha fuck off really point blank sucks to say STUNT 101 was tha shit ...now its rider pt2 lol wtf really.

g-unit was hot but all that beefin' wit ev'rybody fuck them up especially game, game ripped them niggas a new asshole